Synopsis
Weaving together the historical and the imagined, China Miéville's The Last Days of New Paris is a surreal and extraordinary work, from the author of The City & The City.
1941. In the chaos of wartime Marseille, American engineer and occult disciple Jack Parsons stumbles onto a clandestine anti-Nazi group, including Surrealist theorist André Breton. In the strange games of dissident diplomats, exiled revolutionaries, and avant-garde artists, Parsons finds and channels hope. But what he unwittingly unleashes is the power of dreams and nightmares, changing the war and the world for ever.
1950. A lone Surrealist fighter, Thibaut, walks a new, hallucinogenic Paris, where Nazis and the Resistance are trapped in unending conflict, and the streets are stalked by living images and texts - and by the forces of Hell. To escape the city, Thibaut must join forces with Sam, an American photographer intent on recording the ruins, and make common cause with a powerful, enigmatic figure of chance and rebellion: the exquisite corpse.
But Sam is being hunted. And new secrets will emerge that will test all their loyalties - to each other, to Paris old and new, and to reality itself.
Details
Reviews
“Fascinating . . . an unforgettable dreamscape superimposed on the familiar, a manifestation of the mind worth examining.”Barnes and Noble blog
“Beautiful, stunningly realized . . . [The Last Days of New Paris] is a brief vacation in alien latitudes, a midnight layover in an imaginary place.”NPR
“Miéville’s subtle understanding of politics, married to his sophisticated interest in science and art, gives us a short tale that is packed with ideas and inventions . . . A page-turner whose end left me almost physically applauding.”Michael Moorcock, New Statesman
“A dazzling scholarly fantasy . . . The bestiary of surrealist manifs, or manifestations, that Miéville parades before us is dazzling . . . the effect is exhilaratingly precise and serious, as though Albert Camus had rewritten Raiders of the Lost Ark . . . At the story’s climax it turns out to be satisfyingly horrible, but not as bad as what follows – a brilliantly eerie apparition that it would be invidious to reveal here . . . This intense, scholarly fantasy speaks to our age.”Guardian, Guardian